5 Şubat 2013 Salı

Logitech Ultrathin Keyboard Mini Announced

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The Logitech Ultrathin Keyboard mini has just been announced, where it will come in the form of a slim protective keyboard cover that was specially designed so that your iPad mini experience will be enhanced, and hopefully, it will also be forward compatible with the rumored next generation iPad mini which will sport a higher resolution and pixel density count. In a nutshell, the Logitech Ultrathin Keyboard mini would allow you to maximize your productivity when making use of the iPad mini, ranging from using apps to viewing movies and checking out photos, without cramping your style when you type on it.
It is claimed to attach securely to your iPad mini via a click of powerful integrated magnets, and the Logitech Ultrathin Keyboard mini will sport a slim aluminum cover which will also match the iPad mini while delivering durable protection without making you work harder than normal. Whenever you want to use it, just flip the Logitech Ultrathin Keyboard mini around and its built-in Bluetooth EasyType keyboard will be revealed, resulting in a traditional typing layout that most folks would be familiar with.
Expect the Logitech Ultrathin Keyboard mini to hit both US and Europe sometime this month at $79.99 a pop.

[Press Release]

Angels' Pujols ends longest HR drought of career

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Los Angeles Angels' Albert Pujols celerates a two-run home run against the Toronto Blue Jays during the fifth inning of a baseball game in Anaheim, Calif., Sunday, May 6, 2012. This was Pujols' first home run of the season. (AP Photo/Chris Carlson)

Los Angeles Angels' Albert Pujols celerates a two-run home run against the Toronto Blue Jays during the fifth inning of a baseball game in Anaheim, Calif., Sunday, May 6, 2012. This was Pujols' first home run of the season. (AP Photo/Chris Carlson)

Los Angeles Angels' Albert Pujols watches his two-run home run against the Toronto Blue Jays during the fifth inning of a baseball game in Anaheim, Calif., Sunday, May 6, 2012. This was Pujols' first home run of the season. (AP Photo/Chris Carlson)

Los Angeles Angels' Albert Pujols (5) heads into the dugout after a two-run home run with Mike Trout against the Toronto Blue Jays during the fifth inning of a baseball game in Anaheim, Calif., Sunday, May 6, 2012. This was Pujols' first home run of the season. (AP Photo/Chris Carlson)

ANAHEIM, Calif. (AP) ? Albert Pujols has hit his first regular-season home run since joining the Los Angeles Angels, ending the longest drought of his 12-year career after 33 games and 139 at-bats.

Pujols' two-run shot into the left-field bullpen Sunday came in the fifth inning against Toronto's Drew Hutchison.

Pujols was playing his 28th game for the Angels since leaving St. Louis and signing a $240 million, 10-year contract. The homer, estimated at 390 feet, came in his 111 at-bat for the Angels.

The three-time NL MVP hit seven home runs in spring training. His regular-season drought began last year with the Cardinals.

Pujols' home run was his 446th in the big leagues. The only game he's missed this season was Saturday night's 6-2 victory, when manager Mike Scioscia gave him the day off.

Pujols' longest homer drought prior to this was in 2011, when he came up empty in 27 straight games and 105 at-bats. His longest previous drought at the start of a season was in 2008, when he failed to get one in his first eight games and 27 at-bats. The 32-year-old first baseman averaged 40.5 home runs during his 11 seasons with the Cardinals, including a career-best 49 in 2006. He is the only player in major league history to hit at least 30 homers in each of his first 11 big league seasons.

This was Pujols' first home run at Angel Stadium, the 31st big league ballpark in which he's hit one.

Associated Press

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Faced with Breivik's unflinching account, Norway surprises world with its civility

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A reporter covering Anders Behring Breivik's trial marvels at the degree of civility Norwegians have shown him, considering the brutality of the July 2011 terror attacks and his lack of remorse.

In the first two weeks of Anders Behring Breivik's trial, the Norwegian man reiterated his conviction that he did the right thing when he killed 77 people on July 22, 2011 ? even if it meant shooting unarmed Labor party youth members as young as 14 trapped on an island or bombing government buildings in Oslo. Those killed were??legitimate political targets,? he said.

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The attacks were ?gruesome but necessary" for preventing Labor from continuing to undermine Norwegian society with its lenient immigration policies, Mr. Breivik said. The party had betrayed the country by promoting the Islamic colonization of Norway and ipso facto the ethnic cleansing of indigenous Norwegians. He would do it all again, he said.?

International onlookers have been shocked to see how civil the whole trial is proceeding, given the scale and brutality of his crimes ? together they are?the worst national tragedy the country has experienced since World War II ??and Breivik's lack of remorse.?

On April 16, the first day of the 10-week trial, a lineup of prosecutors, forensic psychiatrists, and the legal counsel for the victims all approached Breivik in court to shake his hand. Wearing a suit and neatly trimmed beard, he politely extended his right hand to greet them. Outside, people lined up orderly to enter Oslo District Court. There was not a single sign denouncing him, nor any banners calling for the death penalty.

On the second day of the trial, he was allowed to begin his six-day testimony of what happened in the years leading up to the attack, including his preparation for that day. At the end of the first week he recounted, in chilling detail, of how, after packing a ham and cheese sandwich that morning, he shot and killed 69 people at the Labor party youth summer camp on Ut?ya with a Glock pistol and Ruger semi-automatic rifle.

If this all sounds surreal, that?s because it is.?

It is surreal to see a well-dressed upper class man sit in a court and calmly explain how he killed Norwegians to prevent Norway?s demise. It?s incomprehensible to hear how a man, who supposedly had all the economic means and generous provisions of a cradle-to-grave welfare system, could turn into Norway?s most notorious killer in modern times. And that is part of what scares Norwegians: the thought that he is one of them.?

Despite the atrocity of his crimes and his behavior, Norwegians still want to see him get a fair trial. But that means?he has a legal right to explain himself in court, even if there is a risk that he spreads his propaganda. The trial is also key in determining Breivik's sanity, which is at the crux of this case. The prosecution even defended his right to keep reading from his prepared speech on his first day of testimony in spite of protests from the legal counsel for the victims, who were offended by his one-hour long monologue.?

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Rare Met revival of Britten's shipboard opera

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NEW YORK (AP) ? Absent from the Metropolitan Opera for 15 years, Benjamin Britten's great maritime tragedy "Billy Budd" has made a brief but welcome return in the season's closing days.

If the lead singers were a variable lot at Friday's premiere, the night was still a success because the real stars of the show ? the conductor, the chorus and the set ? all performed magnificently.

That set, designed by William Dudley for the 1978 John Dexter production, is a cutaway depiction against a black background of the H.M.S. Indomitable, a British gunship sailing toward battle with the French in 1797. When the action begins, we're on the main deck, but as scenes change, the ship seamlessly shifts and grows before our eyes, taking us down to the captain's cabin and the sailors' berths and even expanding to reveal seven levels at once.

In adapting Herman Melville's novella, Britten and his librettists ? E.M. Forster and Eric Crozier ? invented a prologue and epilogue in which Captain Vere, now an old man, reflects on the events of the story. In brief, a good-natured young foretopman, Billy Budd, is falsely accused by the master-at-arms, John Claggart, of fomenting mutiny. Tongue-tied, Billy strikes Claggart dead, and Vere ? despite his conviction that Billy is innocent ? feels he has no choice but to see him hanged.

The role of the captain (originally written for Britten's life partner, Peter Pears) was taken in this revival by tenor John Daszak in his Met debut. He sang with a bright, pungent tone and notably crisp diction, though his sound occasionally turned strident on high notes. Dramatically, he was persuasive both as an old man tormented by guilt and as an embattled captain facing an impossible choice.

Baritone Nathan Gunn performed the title role, looking the epitome of Melville's handsome sailor and acting with youthful vigor. He sang sweetly in quiet moments like "Billy in the Darbies," his haunting aria on the eve of execution, but much of the time one longed for a more powerful sound.

Bass James Morris has virtually owned the role of Claggart at the Met, but his voice has lost strength, especially at the low end. He etched a subdued portrait of a corrupt soul who cannot tolerate the presence of unalloyed goodness in the world.

There were many strong contributions from the all-male cast, starting with the chorus, whose role in this opera is vital. The fine trio of officers consisted of baritone Dwayne Croft ? a former Billy himself ? and bass-baritones Kyle Ketelson and the debuting Ryan McKinny. Tenor Keith Jameson was impressive as the Novice, the weak-willed sailor who does Claggart's dirty work.

David Robertson, making a too-infrequent appearance, conducted the Met orchestra in an energetic and moving performance of Britten's score, which is filled with surging melodic themes amid its spiky dissonances.

An AP Entertainment Review

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HBT: O's 1B takes mound, tops Red Sox in 17

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It wasn?t pretty, but in many ways, Chris Davis had the most remarkable day on a baseball field that I can ever remember.

Starting at DH, Davis fanned in his first five at-bats, hit into a double play into his sixth and grounded out in his seventh before moving to the mound to pitch the 16th and 17th innings and picking up a win in a 9-6 game against the Red Sox.

Davis very nearly took the loss in the 16th, but Marlon Byrd was gunned down at home plate on Mike Aviles? double with two outs. The Red Sox then turned to a position player of their own in the 17th, and Darnell McDonald gave up a three-run homer to Adam Jones, giving the Orioles a 9-6 lead.

After Jones? homer, Davis grounded out, making him 0-for-8 on the day.

The bottom of the 17th started with an infield single off Davis? glove and a Dustin Pedroia walk, but Adrian Gonzalez struck out on three pitches to put a cap on his own 0-for-8 day and McDonald grounded into a double play to end it.

Davis became the first position player to win a game since Philadelphia?s Wilson Valdez got a victory in the 19th inning of a game last May 25. Before that, the last to do it was Rockies catcher Brent Mayne in 2000.

Davis?started his outing showing a 90-91 mph fastball, but he quickly faded into the mid-80s in the 17th. Of course, it still worked out for him. McDonald was sitting in the 81-83 mph range in his inning of work.

Despite having three opportunities, Davis managed to avoid picking up his sixth strikeout. He could have been just the eighth player to reach that mark (dating back to 1918) and the first since Milwaukee?s Geoff Jenkins in 2004.

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3 Ocak 2013 Perşembe

Tronsmart Prometheus Is An Android-powered Set-Top Box For $99

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Set-top boxes have been, for the most part, devices cable companies have stuck into our living rooms in order for us to access their content without a lot of bells and whistles to go along with. Sure, we can use our set-top boxes as a DVR, watch shows and movies on-demand and even be told the time when it’s off, but our set-top boxes need a little more pizazz. And maybe a little more Android, too.
The Tronsmart Prometheus is an Android-powered media player that resembles the ship that was featured in the film, Prometheus and comes with a ton of bells and whistles that will put your current set-top box to shame. The Prometheus runs Android 4.1.2 Jelly Bean and is powered by a 1.5GHz dual-core processor that features 1GB of RAM, 4GB of internal flash storage and an SD card slot. It also has Wi-Fi, an Ethernet port, three USB 2.0 ports and an HDMI and composite output.
Tronsmart’s Promethus will set you back $99, which is an absolute steal when you consider just how sleek the device looks as well as the fact that it runs Android. This is one set-top box we can’t help but geek over just a little bit.

QBEAK Electric Car by ECOmove

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You may not have heard of Denmark-based ECOmove but their QBEAK III electric car is actually its third prototype already and is look set to roll into the market sometime in 2014. Apart from performance rides, there’s a little known fact that we also have a penchant for adorable cars and the QBEAK III’s super cute form did managed to capture our hearts. Measuring a compact 3-meter (9.8-foot) long, the III features an interior that is configurable to ferry from one up to six individuals and it sports removable battery pack (called energy modules) with up to six of such modules can be installed in one car, thereby offering up to 300 km (186 miles) of range. The QBEAK III employs in-wheel motors to save on space and maintenance – the motors form part of its electric driveline including brakes and suspension. Two electric motors, each rated at 35.4 kW, drives this sub 500 kilograms cuties to a modest top speed of 120 km/h (75 mph). It has sliding doors in place of traditional swing doors for access, one on each sides and it sits on a unique platform where the energy modules form the floor pan. Another features unique to this car (that’s if you exclude McLaren F1) is the driver position: it is located in the middle of the car, thus enabling the driver to get in and out with ease from either side. There’s no word on its pricing or availability as of now for this urban people mover.